Tom Hiddleston on the Heartbreaking Power of 'Pompeii: Out of Time' and How Loki Redefined His Storytelling
Tom Hiddleston Returns to the Ashes of Pompeii
For Tom Hiddleston, the 79 AD eruption of Mount Vesuvius isn't just a history lessonâit's a deeply personal journey. In National Geographic's gripping three-part docudrama Pompeii: Out of Time, the actor steps away from the Marvel Cinematic Universe's trickster god Loki to walk the very streets where thousands of Romans faced their final, terrifying hours.
Hiddleston, who first fell in love with the doomed city as a 17-year-old backpacker in the summer of 1998, now returns not just as a narrator, but as a human bridge to the past. The show follows the real-life stories of three Pompeii residents: Avianius, a teenage blacksmith's apprentice; Julia Felix, a powerful businesswoman; and a Praetorian Guard soldier. Working alongside archaeologists, historians, and disaster experts, Hiddleston uses his own phone flashlight to literally illuminate the dark chaos, creating surreal moments where the 2,000-year gap collapses.
âI wanted to find a narrative structure where I could communicate what I feel when Iâm in Pompeii,â Hiddleston explains. âThe 2000 years between my reality and their reality collapses instantaneously because Pompeii has been so perfectly preserved â the bread they were baking, the playgrounds they played in, the houses they lived in. It feels like yesterday.â
Humanizing History Through Three Tragic Lives
The docudrama doesn't shy away from the disaster's brutalityâspoiler: not everyone survives. But Hiddleston and his team spent countless hours poring over ancient records, walking the actual streets, and examining artifacts, including a necklace that Julia Felix may have worn that fateful day. This forensic attention to detail aims to honor the humanity of those caught in Vesuvius's fury.
âTo walk around Pompeii is to feel time collapse,â Hiddleston says. âLooking across time at individual ordinary people was a way of expressing that distance and nearness simultaneously. The intimate relationship with the past is something I find reassuring. You can look into the eyes of others and connect with them as fellow human beings.â
The actor admits he grew deeply attached to all three subjects. Avianius, close to Hiddleston's own age when he first visited, felt like a kindred spirit. Julia Felix, revealed through her jewelry, struck him as extraordinary. The Praetorian Guard, whose remains were found in the boatyards, moved him profoundly. âI felt by the end that they were my friends, like family,â he confesses.
How Loki Changed the Way Tom Hiddleston Tells Stories
Ask Hiddleston about the god of mischief, and you'll get more than a standard Marvel anecdote. The actor credits his work on Loki, particularly Season 2, with a radical shift in how he views narrative structure. âThe great theme of the whole show across 12 episodes is time â how we quantify it, qualify it, give it value, how we use it, how we waste it, how much we have, how we indulge it,â he says.
In Pompeii, Hiddleston applies that same narrative agility. The docudrama jumps between the modern-day actor and ancient reenactments, with Hiddleston even making direct eye contact with the characters across centuries. âWe can be agile. Stories donât have to be linear. You can fast forward and rewind and have different dimensions, which more closely mirrors the experience of being alive,â he explains, drawing a direct line from his Marvel tenure to this historical project.
The actor also reveals that Loki's heroic sacrifice at the end of Season 2âwhere the god chooses to hold all timelines together so others can liveâdeepened his understanding of storytelling as a form of provision. âHe uses his power as a deity so that other stories can be told,â Hiddleston says. In Pompeii: Out of Time, Hiddleston steps into a similar role: making space for the voices of three people who otherwise would remain silent in the ash.
Behind-the-Scenes: Filming in the Dark at the Real Pompeii
One of the most thrilling aspects of production was the rare permission to film at the actual UNESCO World Heritage site after dark. With only a skeleton crew of about ten people, Hiddleston ran through Pompeii's alleyways lit only by moonlight and a cell phone.
âThat sequence is almost a recreation of the historical process, which is to go into the past and shine a light on things that we donât know about,â he recalls. âIt felt like we were inventing a new way of storytelling where there was this very fine liminal threshold between the past and the present. I could somehow use the light from my phone, and it would penetrate through time.â
The actor also revisited his own youth during the shoot. âI felt a lot of pride in my younger self for the courage to go to Italy on my own with two friends at that age,â he says, remembering the World Cup matches watched in youth hostels, the lack of money, and the climb up Vesuvius in inadequate shoes. âIt was also moving to go back to my first love, my passion for the classics and the ancient world. It felt like reconnecting with a part of myself that I havenât been able to access for a while.â
Key Takeaways from the Docudrama
- Three Real Lives: The show focuses on Avianius, Julia Felix, and a Praetorian Guard, using archaeological evidence to reconstruct their final choices.
- Loki's Influence: Hiddleston's role as the God of Stories directly informed the non-linear, time-bending narrative style of Pompeii: Out of Time.
- Authenticity First: The production worked with experts in geology, history, and disaster management to ensure accuracy.
- Emotional Connection: Hiddleston says he felt like the victims became "friends" and that the project was a personal return to his own teenage passion.
With Pompeii: Out of Time with Tom Hiddleston premiering July 22 at 9/8c on National Geographic, audiences are in for a docudrama that is as intellectually rigorous as it is emotionally devastating. Hiddleston's unique blend of star power and genuine scholarly curiosity makes this more than just another ancient history specialâit's a meditation on time, memory, and the stories we choose to carry forward.
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